As a writer, you are what you read

Many writing tasks, such as authoring e-mails, reports and memos, involve conveying thoughts, requests, instructions and similar information. Completing these assignments is a matter of gathering your material and then relaying it accurately and clearly.

Yet some writing jobs – speeches and newsletter articles, for example – require copy that not only communicates but does so with style, flair and maybe a sprinkling of humor, wit or deep thought tossed in.

But what if you don't consider yourself creative or intellectual? Don't believe it. Most people have a spark of both flickering inside; it's just a matter of stoking it to make it burn more brightly. There are a number of ways that can be accomplished, the first of which is believing you're more creative and capable of deeper thought than you know, and then spending time during the re-writing process to give your copy more punch and depth.

Another method doesn't involve writing, it involves reading. Good readers often make good writers for a number of reasons. Those who read broadly are exposed to a richer range of thought. The diversity of your reading material counts too. By reading others' ideas or opinions, for example, you can see something from a different vantage point. And if you approach reading as a writer – that is, you're searching for insight on how to write more effectively – you'll be exposed to a continuing source of knowledge and information.

There are many more ways in which reading benefits writing, but I think you get the picture. Books, newspapers, magazines, ads, the Sunday funnies. Absorb the written word in all of its forms. What you read doesn't matter as much as the fact that read widely and regularly.

Giving credit

There has been plenty of back-and-forth lately over Barack Obama's use of lines originally delivered from his pal and adviser Massachusetts Gov. Deval Patrick. I'm not going to offer my opinion regarding this campaign season dust-up, but it does raise the question of how and when you credit others' work or ideas in your writing.

The rule we learned in college was that in written works you must acknowledge another's ideas and words in the body of your text and in footnotes or endnotes and through a bibliographic citation. In the world of business writing, those rules don't seem that fixed. But certainly the concept of crediting others remains.

As a general guideline, the closer you can adhere to the formality of footnotes and citations, the better. How close you need to stick with these rules depends a lot on the type of communication you're assembling. Case studies and white papers should be thoroughly annotated with regard to sources. The same probably would hold for formal reports and proposals. As for memos and e-mails, I say forego footnotes and bibliographic citations, but that doesn't mean that you shouldn't credit your source. Just slip the credit smoothly into the copy itself using wording like "according to .....:" or "In his 'Tactics' article 'Journalists get Web 2.0: Do you?' Mike Neumeier says ...."

The idea is to not only give credit but to equip your readers with enough information that they can find the source material themselves if they wish.

There is also a practical advantage to detailing your sources in what you write: It forces you to take a hard look at them. Knowing that you'll be identifying your sources and that your readers will be judging their appropriateness makes you more likely to use only the most reliable ones.

Let it be written, let it be said

In this month's issue of Tactics, British business journalists Stuart Crainer and Des Dearlove are quoted as saying, "Being able to write effectively and persuasively – whether creating a business plan, e-mail, report, appraisal or positioning statement – is a core executive skill."

I agree. In fact, that statement should be treated as holy writ and nailed over the entrance of every business, law, medical and engineering school in the nation. Writing effectively represents more than communication -- which is significant -- but it also forces us to think. Sloppy writing often results not just from poor technical skills but the fuzzy thinking it masks.

Yet, despite the importance of writing, it's often treated as an afterthought in many professional training programs. If I were king, no one would venture out of college, regardless of their field, until he or she had demonstrated an ability to communicate effectively with words.

If you've established yourself as a capable writer, congratulations; you can probably attest to the difference it has made in your career and in your contributions to your business or organization. If you haven't earned your writing chops yet, I'd urge you to do so. It's not as hard as you might think, and I can promise you it will be one of your best career moves ever.

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Subject to error

Knowing what form of a verb to mate with a subject isn't always simple. In a straightforward construction like, "The books are on the shelf" it's uncomplicated. Our subject, "books" is obviously plural, so we'd want to use the plural verb "are."

But what about this one: "The CEO, along with several other executives, is/are traveling today." If you said "are," you're wrong. But don't sulk. It's a common mistake. The error lies in thinking you have a multi-part, or compound, subject consisting of the CEO and the other executives. But actually, the subject is limited to the CEO, which is singular and takes the singular verb "is."

The rule to remember is that phrases such as "along with" and "in addition to" are used to shoehorn additional information into a sentence. They're not part of the subject, though, so don't let them fool you into choosing a plural verb when you want its singular cousin.

Another trap lurks when you have subjects that define units like money, measurement and diseases. These subjects take a singular verb, as in:

-- Three million dollars is all he was willing to pay.

-- Four thousand feet of road has been laid.

-- Mumps is a disease that threatens many children.

Avoiding subject-verb agreement errors not only requires knowing the special rules that apply, but being able to strip a sentence down to its main subject and main verb, which makes solving the puzzle easier. Good luck.

World of confusion

English is loaded with pairs of words and phrases that are easily confused. That's what makes writing so much fun, right? "When Words Collide," the text I use in my writing class and which I reference to the right of this blog, contains a glossary that discusses puzzling pairs of words. In this post, I'll address a few common ones and try to revisit the issue periodically.

-- Can/may. These two aren't interchangeable. Use "can" when you are denoting ability, as in, "Do you think I can win the race?" Use "may" when you want to establish permission: "May I borrow your book?"

-- Compare with/compare to. Write "compare with" when you're making a literal comparison. "Our profit this quarter was up when compared with our profit in the same quarter last year." Use "compare to" to make a figurative comparison. "Laura compared assembling the annual report to running a marathon."

-- Since/because. "Since" is the proper word when you want to express a period of time, as in, "It has been years since I visited there." Use "because" to give a reason or cause. "Production is slumping because our machinery is old and broken." The common error involving these two is to misuse "since," as in, "I refuse to sign this report since I disagree with it." That's wrong. Swap "since" with "because."

-- Principal/principle. I recently discovered an error with this pair on a colleague's Web site. "Principal" is someone who is first in rank or authority, as in the principal of a high school or the principal speaker at a convention. "Principle" refers to a truth, doctrine or rule of conduct.

-- Eager/anxious. Writers frequently use "anxious" when what they really mean is "eager." Use "anxious" when you're describing a state of fear and worry. Think "anxious" and "anxiety." "Eager" is the word when you want to indicate a mood of stimulation or excitement.

When in doubt, leave it out

Even the most skilled writer will fail unless the information being conveyed in his or her material is accurate. Everybody knows that, right? But yet writers sometimes – either out of laziness or hurry – neglect to check their facts, and so errors and inaccuracies creep into copy.

When you write, ask yourself where you got your information. Is it from a credible source? The Editors Weblog recently carried a post detailing how Agence France Presse recently banned its reporters from relying on Facebook and Wikipedia as sole sources in their stories. I agree with the news organization's reasoning – the two sites rely on info posted by whomever, so in many cases it hasn't been reviewed for accuracy. It's not necessarily credible.

You need to be just as wary as Agence France when you're writing. Find a source, ask questions, be skeptical. If you can't verify, then don't include it in your copy. Adhere to this journalism maxim: "When in doubt, leave it out."

Become a vigorous verb collector

In last week's post, I emphasized the value of jamming as many lively, punchy verbs into your bean as possible because verbs are the heart of effective writing. But how do you become well-versed in verbs? You need to collect them with all the zeal of an antiques fancier.

Perhaps the best place to do your verb mining is within the work of good writers. Keep pen and pencil handy the next time you're reading, and when you encounter a forceful verb, jot it down. Before long, you'll have compiled a sizable list. Then it's a matter of making them part of your writing vocabulary. The act of writing them down helps fix them in your mind and may be all that's needed to make them yours.

Like a collector of rare baseball cards or pottery, though, you might like to become even more familiar with your collection. In that case, use the entries on your verb list in sentences. Do that a few times and they'll definitely become yours, and your writing will be that much brawnier.